laura – Bates Dance Festival https://www.batesdancefestival.org Tue, 29 Nov 2016 18:37:01 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 https://www.batesdancefestival.org/wp-content/uploads/2021/06/cropped-BDF-icon-02-01-32x32.png laura – Bates Dance Festival https://www.batesdancefestival.org 32 32 2016 Fall Newsletter, Volume 21 https://www.batesdancefestival.org/2016-fall-newsletter-volume-21-2/ Mon, 14 Nov 2016 14:21:48 +0000 https://www.batesdancefestival.org/?p=6180

zoe  | juniper in Clear & Sweet (photo by James Morgan)

CELEBRATING 35 YEARS OF MOVING TOGETHER

Next summer we will celebrate 35 years of building community through dance. 2017 will also be longtime director Laura Faure’s 30th and final year at the helm. We have many special events and activities in the works to share with you…so read on! This historic anniversary will truly be one not to miss! We hope you will join us throughout the year and next summer to share in the celebration.

SAVE THE DATE

Mark your calendar NOW for our 35th Anniversary Gala performance and party on Saturday, July 29 when we will gather to celebrate our history and give director Laura Faure a proper send-off.

IN THE WORKS 

Last summer our faculty put their creative minds together to cook up some great ideas for our big anniversary. Among them are upcoming BDF Benefit Master Classes taking place around the country. On December 3, master teachers Cathy Young, Lisa Race, Diane Arvanites, and Tommy Neblett will offer classes at the Boston Conservatory. On December 10, BDF faculty Angie Hauser, Chris Aiken, Paul Matteson, Jenn Nugent, and musicians Peter Jones and Mike Vargas will offer a day of classes at Smith College in Northampton, MA. All proceeds will go to support our 2017 programs. Visit our Upcoming Events page for more info.

BDF Benefit Master Class teachers

BDF is once again teaming up with New York City-based Gibney Dance to host BDF+Gibney Connect, this time for a four-day intensive taking place January 10-13, 2017 at Gibney Dance, 280 Broadway, NYC. This immersive experience will feature technique classes by Kendra PortierJennifer Nugent, Dante Brown, Jenna Riegel, and Amy Miller, and choreography with David Parker with music by Glen Fittin. Focused around inspired dancing and creative exchange, the workshop is designed for intermediate and advanced dancers. The early bird fee is $175 with pre-registration by Nov 25 or $240 after that date. For more information and to register, visit Gibney Dance.

Kendra Portier (photo by Scott Shaw)

2017 FACULTY ANNOUNCED

We are excited to announce another great line up of accomplished faculty that brings together some of our favorite alums with exciting newcomers. Our Young Dancers Workshop will feature modern classes by Amy Miller and Tristan Koepke, ballet with Martha Tornay and Shonach Mirk-Robles, jazz with Courtney D. Jones, hip hop with Shakia Johnson, composition/improvisation with Lida Winfield and repertory with Christal Brown.

Our Professional Training Program will include David Dorfman, Riley Watts, Claudia Lavista and Omar Carrum, Lisa Race and Kendra Portier, creative process and choreo lab with David Parker, Larry Keigwin, Michael Foley, JoAnna Mendl Shaw, Bebe Miller, Sara Pearson and Patrik Widrig, ballet and Spiraldynamik© with Shonach Mirk-Robles and Rachel List; Contact and improvisation with Nancy Stark Smith, classic jazz with Danny Buraczeski, yoga and Pilates with Robbie Cook, Business of Dance and with Kim Konikow, and more! Detailed information will be available on our website in early December.

Amy Miller (photo by Murphy Chang)

BE AN INTERN AT BDF

BDF’S internship program offers aspiring arts administrators, videographers, technical production workers, and dance educators with an opportunity to learn side-by-side with the Festival’s professional staff to gain on-the-job training, valuable contacts, and in-depth knowledge of contemporary dance. Deadline is February 1. Details at: Internships

Intern Heather O’Neill (photo by Blake Caple)

IN THEIR OWN WORDS: Olivia McCoy Finds Her Way to BDF

Attending a summer dance festival. One of my teachers and mentors, Melissa Canto Brenner, suggested I apply to BDF. I went through the application process with high hopes that I would be selected for a scholarship. Without one, the chances of me being able to attend were slim to none, so once I got the good news, I cried with joy. The universe had answered my prayers! I had been saving up for months and even tried fundraising, but it wasn’t enough to cover the remaining balance.

The final piece to the puzzle was working out travel logistics. Plane tickets were too expensive, Maine is too far to drive to from Florida, so the only reasonable option was to take a Greyhound bus. Aside from the obvious concerns about my safety, I had to prepare myself for a 47-hour bus ride. Armed with popcorn, veggie sticks, peanut butter crackers and water, I was ready but I really had no idea what to expect. The only thing certain was my quest for knowledge and eagerness to dance.

Olivia McCoy (photo by Arthur Fink)

Considering the fact that I only knew two people, the first day seemed a bit overwhelming. Seeing so many new faces and constantly introducing myself never seemed to end. After the first few days, the wall of shyness eventually came down.

Over the span of three weeks, I had the ultimate pleasure of working with amazing artists from around the globe who are passionate and inspiring. From Afro -Modern with Michel Kouakou, Modern with Paul Matteson, Improvisation with Chris Aiken and Angie Hauser and repertory with Marianela Boan, there was an abundance of knowledge and perspectives that I gained from each faculty member. The skill of integrating so many different perspectives and learning how to adapt them into my own choreographic aesthetic, is a practice that will continue to transform me as an artist.

I also had the amazing good fortune to perform in Michel Kouakou’s new trio, “Trace,” with he and Robbie Cook in the Different Voices concerts.

Not only did Bates cater to my appetite for movement, but allowed me to make connections with wide spectrum of dancers and musicians from all over the world. Having live musicians during the creative process also made a significant impact in the overall quality of the Festival experience.

There’s a sense of community at BDF which made me feel at home. The faculty cultivates an environment where the capacity for learning is immeasurable. They challenge you mentally, physically and spiritually. The atmosphere allows for such a cultivation to exist, which allows each individual artist to have connectivity through their visceral self.

After three weeks of four classes a day, I felt rejuvenated, alive and ready to take on the world.I learned more about myself than ever before. BDF gave me the opportunity and experience to gain greater confidence in myself and determination to peruse my interest more vigorously.

A sincere thank you to the donors, interns, faculty and to all those who made it possible. My experience at BDF last summer will forever live through me.

LEND A HAND

See why BDF alums want you to help support our important work.

BDF relies on contributions from foundations, corporations, and individuals like yourself to supply 40% of our operating budget. Please consider a gift in any amount to support our 2017 35th Anniversary season. Make your tax-deductible contribution online NOW.

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BDF Summer Events Details https://www.batesdancefestival.org/bdf-summer-events-details/ Tue, 24 May 2016 14:52:20 +0000 https://www.batesdancefestival.org/?p=5671 Visit our press page to read about all of BDF’s upcoming 2016 performances. And visit our performance pages for more info on all of this summer’s activities. We look forward to seeing you at Bates this summer!

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2016 Spring Newsletter, Volume 19 https://www.batesdancefestival.org/2016-spring-newsletter-volume-19/ Mon, 04 Apr 2016 15:24:43 +0000 https://www.batesdancefestival.org/?p=5608

SEASON PREVIEW

The Festival kicks off its 2016 Performance Series on July 9 with DanceNOW featuring fresh voices from a new generation of distinctive dance makers including Dante Brown/Warehouse Dance, Hope Stone Dance, Heidi Henderson, and Ali Kenner Brodsky. Highlighting the season, recent MacArthur ‘genius’ award winner, Michelle Dorrance, brings her company’s innovative take on tap to Maine to rock our world! Next up one of America’s most gifted dance makers, Doug Varone and Dancers returns with three stunning works – ReComposed, The Fabulist and Possession. Returning with two Maine premieres, Kate Weare Company presents her insightful take on human relations in Dark Lark and Marksman. The season includes annual audience favorites Different Voices, The Musicians’ Concert, Moving in the Moment and the Festival Finale that showcase the remarkable talents of Festival artists-in-residence and our Youth Arts Program. Mark your calendars today for a not-to-miss feast of thought-provoking dance. For full details visit: https://www.batesdancefestival.org/performances/

‘NEW’ TEACHER TRAINING WORKSHOPS

This year, with input from the field, BDF redesigned itsTeacher Fellowship program to be more
flexible while also being more targeted to the needs of a broad range of dance educators. The program offers three distinct and cumulative, weeklong workshops embedded in the Professional Training Program. Master teacher, Mary Carbonara, will teach two courses – the Teacher’s Toolkit and Teacher’s Laboratory – that promise to offer practicing dance educators a chance to refresh and renew their passion for teaching. Learn more: https://www.batesdancefestival.org/education/teacher-workshops/


FESTIVAL DIRECTOR RECEIVED AWARD

Bates Dance Festival Director, Laura Faure, received the National High School Dance Festival’s Outstanding Service Award in a ceremony at the Byham Theater in Pittsburgh on March 3. The award was presented during the NHSDF’s biennial conference. The NHSDF, now in its 27th year, brings together more than 1,200 high school dancers from 79 schools across the U.S. and abroad. Students perform original works, take classes and gain professional exposure. An important component of NHSDF is the scholarship audition attended by recruiters from some 70 university and summer dance programs. Over the past 20 years the Bates Dance Festival has recruited and provided scholarships to more than 400 gifted students through the NHSDF audition. Laura Faure has been a leading advocate for ance students and their education during her 30+ year tenure as BDF Director. Her passion for supporting young dance artists is unsurpassed.

BDF HOSTS 2ND WINTER INTENSIVE AT GIBNEY DANCE

The Bates Dance Festival teamed up with Gibney Dancein New York City for its second annual winter intensive, January 5-7, 2016. Over 50 students participated in technique classes with Kendra Portier, Jennifer Nugent, Dante Brown and Amy Miller, all accompanied by the amazing sounds of Glen Fittin. Each day concluded with a composition workshop led by Kate Weare and Doug Gillespie. We are busy cooking up an expanded intensive for next January. Stay tuned.

GIVE THE GIFT OF DANCE – SUPPORT OUR COMPLIMENTARY TICKET PROGRAM

Have you ever wondered about people in our community who are not able to afford to attend live performance? You can help bring more dance into their lives by making a gift as part of our 2016 matching gift campaign. We want to tear down that cost barrier and make the Bates Dance Festival accessible to everyone? This summer BDF aims to provide low-cost and complimentary concert tickets to a broad cross section of local community members. We have received generous support from Norway Savings Bank. Your gift made by May 30th will help us reach our match of $2500. Make your tax-deductible contribution online TODAY: Support BDF!

BDF relies on contributions from foundations, corporations, and individuals, llike YOU to supply 40% of our annual operating budget. Please consider a gift in any amount.

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2015 Fall Newsletter, Volume 19 https://www.batesdancefestival.org/2015-fall-newsletter-volume-19/ Thu, 08 Oct 2015 19:42:49 +0000 https://www.batesdancefestival.org/?p=4963 IN THE WORKS

BDF is once again teaming up with New York City-based Gibney Dance to host BDF+Gibney Connect, a three-day intensive taking place January 5-7, 2016 at Gibney Dance, 280 Broadway, NYC. This immersive experience will feature technique classes by Kendra PortierJennifer Nugent, Dante Brown and Amy Miller with accompaniment by Glen Fittin, and choreography with Kate Weare. Focused around inspired dancing and creative exchange, the day is designed for intermediate and advanced dancers. The early bird fee is $100 before Nov 1. For more information and to register: Gibney Dance

2016 FACULTY ANNOUNCED

We are excited to announce another great line up of master teachers that brings together some of our favorite alums with exciting newcomers. Our Young Dancers Workshop will feature modern classes by Garfield Lemonious and Karl Rogers, ballet with Martha Tornay and Shonach Mirk-Robles, jazz with Courtney D. Jones, hip hop with Shakia Johnson, improvisation with Heidi Henderson and repertory with Dante Brown.

Our Professional Training Program will include the companies of Doug Varone and Kate Weare, post-modern teachers Paul Matteson and Angie Hauser, contemporary African with Michel Kouakou, creative process and repertory with Cuban choreographer Marianela Boan, ballet and Spiraldynamik© with Shonach Mirk-Robles and Rachel List; Contact and improvisation with Chris Ailen, yoga and Pilates with Robbie Cook, plus Dance, Film and Media with Shawn Hove, Business of Dance with Sara Juli and more. Detailed information will be available on our website in mid-December.

NURTURING THE FIELD – INTERNATIONAL VISITING ARTIST PROGRAM

Since 1994 BDF has been offering creative residencies on an invitational basis to promising dance makers from Africa, Asia, Europe, the Caribbean and Latin America. The program offers dancers and choreographers focused time to study, research and build new work, professional development resources, and an opportunity to build relationships with peers in the U.S.

Ima Iduozee

Ima Iduozee

Last December Director, Laura Faure, was invited to ICEhot, the Scandinavian dance platform in Oslo, Norway, to help initiate a new pilot residency exchange between three U.S. dance organizations and the Nordic Dance Network. She discovered and invited Ima Iduozee from Helsinki who performed his extraordinary solo, “this is the title”. Ima conducted a three-week residency at BDF last summer with support from the Nordic Dance Network. Read our blog interview with Ima.

HOME IS WHERE THE ‘ART’ IS

YAP performs Home Is Where the 'Art' Is

YAP performs Home Is Where the ‘Art’ Is

Last summer our Youth Arts Program (YAP) once again brought exceptional arts learning opportunities to over 60 local kids ages 7-16. The theme around which they built their classes and final production was ‘home.’ Returning faculty Priscilla Rivas did a magnificent job filling in as director and we were thrilled to welcome back YAP founding teacher, Rose Leach. Also joining our faculty to teach hip hop was former Yapper Ryan Morrill. See what the Yappers accomplished last summer in this great mini documentary.

BDF INTERN PROFILES

Photo by Sarah Ellen Miller

Photo by Sarah Ellen Miller

Each summer BDF engages fourteen interns to assist and develop expertise in technical production, video and media, dance administration, and dance education. Last summer we had an exceptional cadre of talented interns who complimented our staff and made a critical contribution to the success of the 2015 season. Sarah Miller combined her interests in creative writing and dance as a social media intern, managing the festival’s social media accounts and writing for the blog. Check out her blog about our interns.

2015 FESTIVAL HIGHLIGHTS

Sean Dorsey Dance in The Missing Generation

Sean Dorsey Dance in The Missing Generation

The 2015 season, our 33rd, brought a wealth of stunning projects to Maine. We were proud to serve as the lead commissioner for Sean Dorsey Dance’s new work, “The Missing Generation,” that takes a poignant look back on the AIDS epidemic of the 1980s. A highlight of our season, Dorsey’s East Coast premiere offered audiences a rare look at an important and forgotten era in LGBTQ history. Dorsey’s residency concluded a yearlong series of activities that reached out to a wide variety of Maine people. Watch interview with Sean.

Delfos Danza in When The Disguises Are Hung Up

Delfos Danza in When The Disguises Are Hung Up

After many years of collaborating with our Mexican friends, the magnificent teachers and creators, Claudia Lavista and Omar Carrum, we were able to present their company, Delfos Danza Contemporanea, with generous support from Southern Exposure, a program of the Mid Atlantic Arts Foundation. Nine stunning dancers performed Delfos’s signature work, “When The Disguises Are Hung Up” to an enthralled audience. Company members also taught a workshop for Tree Street Youth while Claudia and Omar deepened the practice of professional students enrolled in their technique and repertory classes. For a look back at more of our 2015 activities visit our youtube channel.

LEND A HAND

BDF relies on contributions from foundations, corporations, and individuals like you to supply 40% of our annual operating budget. Please consider a gift in any amount to support of our 2016 season. Make your tax-deductible contribution online at NOW.

SUPPORT BDF

The Bates Dance Festival advances the work and life of dance students, professional artists and public communities by cultivating opportunities for learning, creativity and connection in a supportive and diverse dance and performance environment.

 

 

 

 

 


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ICEhot Nordic Dance Platform https://www.batesdancefestival.org/icehot-nordic-dance-platform/ Sat, 13 Dec 2014 22:21:52 +0000 http://bdfblog.org/?p=1422

The dance going began in earnest Wednesday night with the opening performance of ICEhot by Heine Avdal & Yukiko Shinozaki in the Dansens Hus conveniently located behind our hotel.  Artists and presenter from 28 countries are here to experience works from Iceland, Finland, Denmark. Norway and Sweden.  The bar was bustling before the show with a confab of international festival goers. This first work was elaborate with miles of silver fabric curtains suspended from giant helium physio ball type balloons. The curtains did much of the dancing throughout the 60+ minutes while creating a beautiful shimmering effect. There was much technical wizardry on display with self propelled balloons and curtains floating over our heads.

Dansens Hus

Dansens Hus

Each morning began with a info session, More More More, in which five choreographers talk about their work and showed video excerpts.  This was a valuable component of the festival for those of us looking to learn more about emerging artists. Along with several U.S. colleagues, I have invited here to identify a Nordic artist to bring to BDF for a creative residency.

Among our group are seven U.S. artists including Zoe Scofield who I got to catch up with over a splendid breakfast (included with our room at the hotel). Foodie that I am, I was in heaven with the delicious and plentiful spread of lox, smoked fish, cheeses, breads, fruit and on and on.  This is our real meal of the day since everything here is so wildly expensive — $40 for a hamburger and beer, $5 for coffee and so forth — and we are running from one performance to the next all day long.

Over the course of four days I have seen 16 shows. Its been a rapid fire education on the state of Nordic dance or at least those selected to present at this platform. Several elements seemed to recur… smoke is very popular, the use of a hip hop vocabulary either woven through a contemporary sensibility or straight up, durational work quite often too long, electronic scores (everyone is using them–what ever happened to natural sound?), a fascination with awkward, clumsy movement, and terrific dancers.

Oslo Opera House

Oslo Opera House

Among the many performances there were four that stood out for me (all art being subjective). Zero Visibility Corp from Norway presented “Terra O Motel”  a 90- minute extravaganza complete with a mini 40’s type motel and neon sign as well as a variety set pieces, from a makeshift kitchen to bowls of potatoes and sleeping pads and pillows. This piece created a world of distinct characters living out their peculiar lives and quite grew on me as it progressed.

Tentacle Tribe of Sweden & Canada offered “Nobody Likes A Pixelated Squid” a  beautifully executed, but too long duet a la Victor Quijada of Rubberbandance  with whom they both danced. Gorgeous, sinewy partner work in a smoothed out hip hop style.

Ima Iduozee from Finland presented “This is the Title” a stunning solo incorporating hip hop with really skillful floor work, fine precision and luscious flow that reminded me of Omar Carrum’s Mobile Floor class.

Aloun Marchal from Sweden performed “Gerro, Minos and Him” a trio I dubbed, The Three Stooges Without Pants. A comic journey into the absurd–these three nutcases had a boatload of  physical comedy skills and a go for broke daring. One dancer, in particular, had that rare gift of comic timing that kept many in the audience laughing throughout the 47 minute work. Whether this was one’s cup of tea or not, no one fell asleep during this show!

National Academy of the Arts

National Academy of the Arts

It has been a pleasure to be in attendance at ICEhot as it was so finely organized and we have been well taken care of. Buses carried us around to the distant venues but several were close enough to walk to. Many are in renovated industrial buildings like to National Academy of the Arts, a spectacular re-purposing. The neighborhood surrounding this building is charming and I enjoyed several lunches with colleagues from around the globe. Now its time to go home and ponder the experience!

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Holiday Time in Oslo https://www.batesdancefestival.org/holiday-time-in-oslo/ Wed, 10 Dec 2014 15:37:40 +0000 http://bdfblog.org/?p=1411 I continue my adventures as a dance producer this winter in Olso, Norway where I have been invited to attend the Nordic Dance Platform, ICEhot along with other U.S. based presenters and artists. The opening event tonight features Heine Avdal & Yukiko Shinozaki at the Dansens Hus, the hub for festival activities which is

Dansens Hus

Dansens Hus

conveniently located behind our very hip hotel the Scandic Vulkan and next to the fabulous Mathallen Market.

Mathallen Market

Mathallen Market

We are located in the once industrial Grunerlakke neighborhood which has been marvelously reworked as the home of arts design and all things hip and green. Amazing what can be done in a wealthy country with a great sense of design. Glossy steel and glass buildings weave in and out of restored warehouses, some decorated with fabulous wall art and graffiti.

Oslo wall art

Oslo wall art

The city feels small — like a series of connect neighborhoods. So far no skyscrapers have been sighted allowing the scale to feel friendly. Downtown is all lit up for the holidays with building facades sparkling and the Christmas Market is in full swing–a modest affair featuring typical Nordic items.

Oslo Christmas Market

Oslo Christmas Market

Its kind of fun to see the winter gear everyone is sporting although the temperature is a mild 39 degrees today.  In the market every kind of knitted, fleece and leather garment is for sale.

So far the Akerselva River is my favorite place for strolling. It winds north to south through our neighborhood and seems a well worn pathway for the many parents with strollers. Lots of babies here all bundles up in their fancy carriages!

Akerselva River

Akerselva River

 

With only 6+ hours of daylight at this time of year one has plenty of chance to enjoy the night lights but the boats trips to the fjords are sadly not running. This is a place i would revisit in the summer. There are so much natural beauty to explore. Flying in I was amazed by the integrity of the landscape–just miles and miles of thickly forested, mountainous terrain with tall Nordic conifers and roads winding through but no houses at all.

Tomorrow begins the dance watching marathon and thus I will be introduced to a whole new dance aesthetic and community.  The festival has set up a variety of venues where we can munch, meet and greet. They are very organized which we all appreciate.

 

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BDF Now Accepting 2015 Internship Applications https://www.batesdancefestival.org/bdf-now-accepting-2015-internship-applications/ Wed, 26 Nov 2014 20:49:07 +0000 http://bdfblog.org/?p=1403 JOIN a community of inspired dance artists, administrators, educators, documentors, production experts and peers. Build your professional skills and network. Make vital connections for your future in the field.

Calvin Franke, 2014 adminstrative intern

Calvin Franke, 2014 administrative intern

“This internship has exposed me to so many amazing people that it is almost impossible to not make a BDF connection wherever I go.  Being able to see the behind-the-scenes work that goes into this festival is incredible and a valuable opportunity for anyone wanting to enter this field.” Calvin Franke

The internship application is now available online at: https://www.batesdancefestival.org/internships.php

 

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2014 Fall Newsletter, Volume 17 https://www.batesdancefestival.org/2014-fall-newsletter-volume-17/ Mon, 24 Nov 2014 15:41:43 +0000 http://bdfblog.org/?p=1367 In the Works
Jennifer Nugent by Arthur Fink

Jennifer Nugent by Arthur Fink

BDF is teaming up with New York City-based Gibney Dance and The Playground to host a BDF+Gibney Connect, a daylong dance immersion on Tuesday, January 13, 2015 at Gibney Dance, 280 Broadway, NYC. The day will feature technique classes by Kendra Portier, member of David Dorfman Dance and founder of bandPortier,  Jennifer Nugent former member of Bill T. Jones/Arnie Zane Dance Company,  Amy Miller, Associate Artistic Director of Gibney Dance, and Gregory Dolbashian, Co-Director of The Playground.  BDF accompanist Glen Fittin will play for Kendra and Jen. Focused around inspired dancing and creative exchange, the day is designed for intermediate and advanced dancers. A reception will conclude the day. The all-inclusive fee is $35 with pre-registration or $42 day of. Registration Info available soon at: http://www.gibneydance.org/explore-classes/workshops/#workshops

Kendra Portier by Sara Crosby

Kendra Portier by Sara Crosby

On Sunday, January 11 from 1-3:30pm we will offer a modern technique & composition master class  for teens (14-18 years) taught by LaQuimah Van Dunk at the East Village Dance Project, 55 Avenue C, NYC.  Fee is $15, to register email: dancefest@bates.edu

For Boston area dancers, BDF will join forces with Dance Complex in Cambridge to co-host master classes as part of Winter Wonder Dance Festival, January 2-4. Stay tuned for more info.

2015 Faculty Announced

As winter approaches with it’s chilly air and bare trees, we are deep into planning another hot summer of inspiring classes at BDF. Bringing together some of our favorite alums with exciting newcomers, our Young Dancers Workshop will feature modern classes by Erika Pujic and Karl Rogers, ballet with Martha Tornay and Shonach Mirk-Robles, jazz with Courtney D. Jones, hip hop with Shakia Johnson (2006 Emerging Choreographer), improvisation with Lida Winfield (2014 Emerging Choreographer), and repertory with Sean Dorsey.

Robert Moses by Arne Folkedal

Robert Moses by Arne Folkedal

Donna Mejia by Emmanuel Adero

Donna Mejia by Emmanuel Adero

SeanDorsey by Lydia Daniller

SeanDorsey by Lydia Daniller

 

 

 

 

 

 

 

 

 

 

Our Professional Training Program will include modern master Robert Moses, the teams of Kathleen Hermesdorf & Albert Mathias, and  Claudia Lavista & Omar Carrum, as well as  Mary Carbonara; ballet and Spiraldynamik© with Shonach Mirk-Robles and Rachel List; hip hop legend Rennie Harris, Contact Improvisation’s first lady Nancy Stark Smith, jazz artist Autumn Eckman, Choreo Lab and Performance Skills with dance maker David Parker, transnational fusion with Donna Mejia, yoga and Pilates with Robbie Cook, plus Dance for the Camera with Shawn Hove, Rhythm Studies with Shamou, Business of Dance with Kim Konikow and Beyond the Stage with Debra Cash.

Detailed information will be available on our NEW website in mid-December.

Building Connections: Creating Opportunities

At BDF dancers at all stages of their careers make connections that lead to opportunities for professional advancement. Here are just a few of the exciting outcomes from last summer’s Festival:

Omar Carrum & Claudia Lavista by Arthur Fink

Omar Carrum & Claudia Lavista by Arthur Fink

Mexican choreographers Claudia Lavista and Omar Carrum were invited to conduct fall residencies at the Boston Conservatory by Dance Chair Cathy Young, and at Smith College by faculty members Chris Aiken and Angie Hauser, all three of whom are core members of the BDF faculty.

Vincent Mantsoe by Arthur Fink

Vincent Mantsoe by Arthur Fink

Our 2014 season included a shared concert and classes taught by South African choreographer, Vincent Mantsoe, and Chinese artist, Yin Mei. We just learned that Yin Mei has invited Vincent to perform the same concert program in China this winter. An exciting outcome indeed!

Longtime BDF accompanist and composer, Jesse Manno, joined the backup band for David Dorfman’s performance of “Come And Back Again” during our 2014 season. Consequently David asked Jesse to help create music for the DanceMotionUSA collaboration with Turkish dancemaker Korhan Basaran that took place over four weeks of the Festival. We were thrilled to hear Jesse perform as part of the band for the premiere performance at BAM in August.

Administrative intern, Ashley Yergens served as our social media maven last summer. Her stellar work increased our Facebook likes significantly, brought insightful posts to our blog, and caught the eye of the Brooklyn Academy of Music’s DanceMotionUSA team who were at BDF for the Dorfman/Basaran residency. DMUSA was looking to fill their social media position and in October Ashley moved the Big Apple to join their staff.

bernierAdministrative intern, Kristen Bernier was an invaluable member of our staff this summer. We are thrilled to announce that she joined the staff of  MAPP International with whom BDF has collaborated for over 20 years. MAPP is a dynamic producing organization engaged with an international cadre of performance artists creating on the cutting edge. MAPP is also a founding member (with BDF) and administrative home of The Africa Contemporary Arts Consortium.

 

2014 Festival Recap

The 2014 season, our 32nd, brought a global feast of projects to Lewiston, ME. David Dorfman Dance conducted a month-long creative residency teaching classes, performing “Come And Back Again” with a live band that featured three Festival musicians (Jesse Manno, Shamou and Adam Crawley), and delving deeply into process to develop a new work with Turkish choreographer Korhan Basaran and five dancers from Turkey and Armenia as part of Dance Motion USA a cultural diplomacy program of the U.S. State Department that is administered by Brooklyn Academy of Music.

Korhan Basaran & David Dorfman by ArthurFink

Korhan Basaran & David Dorfman by ArthurFink

Here’s what the ever exuberant David Dorfman said:

“Bates is always alive for me – this summer it was on fire! Through DMUSA, I had the opportunity to work with incredible dance artists from Turkey and Armenia on a daily basis, in addition to the wonderful BDF students and faculty – what a dream come true! Aside from our intense and productive rehearsals – to see our guests take classes, hang out with each other and their fearless leader Korhan at night, and then inspire the next generation of dancers the next day – was fabulous!”   Watch residency video

On the international front we also hosted a creative residency for Flavienne Lago from the Ivory Coast, a former member of Compagnie Tche Tche. In an informal showing Flavie shared an excerpt from her heart wrenching work dealing with the loss of her parents to civil war and the struggle as an African woman to become an artist. For American students being confronted with this graphic and personal story of loss bought the harsh realities of life in a war torn country into sharp relief. There were many tears and much support offered to Flavie whose emotional performance was akin to re-living the horrific experiences.

The Festival also took dance off the stage and into the public realm with site performances in the Lewiston and Portland communities. A talented core of Maine and N.E. dancers including Meredith Lyons, Annie Kloppenberg, Betsy Miller, Jessamyn Schmidt, Amanda E. Hamp, Audrey Ouellette and Charlaine Katsuyoshi, performed “Horses” in windows of Portland Public Library during the First Friday ArtWalk on June 6. “Horses” was created by BDF faculty, Kathleen Hermesdorf and Albert Mathias during a spring residency at Bates College.

In July our fabulous Young Dancers Workshop counselors performed an improvised score during the Lewiston Friday Art Walk.
Here’s what three 2014 artists in residence had to say about BDF:

“It is a rare occasion for young artists like ourselves to be seen, celebrated and asked to grow the way we were at Bates. We were immersed in the world of dance for three weeks in the way we all hope to be, but struggle to do, in our own communities. We left Bates with a sense of joy, creativity, clarity and community that is often easy to lose track of as an independent artist.”– Emerging Choreographers Lida Winfield & Ellen Smith Ahern

“The more I reflect on it the more I realize how much teaching at BDF has changed my life and expanded my dance world.” – Ballet faculty, Rachel List

“These past three weeks were incredible for me.  I felt such support and inspiration from each fellow artist.  The time we spent together fed me and made me feel grateful for the possibility of creating lasting relationships and collaborations in a field where resources are so scarce.  Often we feel so isolated in our struggles … to see how each of us is creatively finding our way makes a huge difference.” – Improvisation faculty, Chris Aiken

Support the Bates Dance Festival

BDF relies on contributions from foundations, corporations, and individuals like yourself to supply 40% of our operating budget. Please consider a gift in any amount in support of our 2015 season. Make your tax-deductible contribution online at NOW.

Support BDF

The Bates Dance Festival advances the work and life of dance students, professional artists and public communities by cultivating opportunities for learning, creativity and connection in a supportive and diverse dance and performance environment. 

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Guardians of Craft https://www.batesdancefestival.org/guardians-of-craft/ Sat, 12 Jul 2014 12:54:25 +0000 http://bdfblog.org/?p=1237 This week I was honored to be invited for an interview by my Bates colleague, Michael Sargent, for his blog Guardians of Craft.  You can listen to the 35-minute interview at:  http://guardiansofcraft.wordpress.com/2014/07/10/shall-we-dance/

I was drawn to the name of this blog as I have always had great respect for the notion of craft or mastery and the dedication and time required to cultivate it.  In my lifetime I have watched the reverence and practice of craft decline as our global, technology laden world drives us to immediate gratification and more, more, more.

Thank you Michael for focusing a lens on those who still cultivate craft!

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BDF begins its 32nd summer https://www.batesdancefestival.org/bdf-begins-its-32nd-summer/ Sat, 28 Jun 2014 12:20:00 +0000 http://bdfblog.org/?p=1192 Yesterday we welcomed 74 excited teen artists to our 2014 Young Dancers Workshop. For the next three weeks they will be immersed in a cooperative creative community with a stellar faculty including long  term BDFers like co-director Karl Rogers and ballet marvels Shonach Mirk-Robles and Martha Tornay. We are thrilled to also welcome new faculty Shani Collin-Achille, Charlotte Griffin, Courtney Jones, Tommy Neblett and Pam Vail. These amazing teachers exemplify our values to promote high quality holistic training while building community and modeling cooperative work. They represent our passion for creating a web of sustaining relationships. Most have had previous relationships with BDF–both Charlotte and Shani have been part of our Emerging Choreographers Program; Courtney was here as a young dancer and counselor; and Pam attended as a student in 1993. I am thrilled to have Tommy Neblett teaching repertory, and he and Diane Arvanites-Noya’s company Prometheus Dance opening our season.

Organizing a festival on this scale is a huge endeavor that keeps us running all year long to plan the program, identify the faculty and artists, attract the participants, raise the money, publicize the events, and get a zillion details confirmed. Its fun, challenging and exhausting but….. all completely worth it when excited, new spirits show up on campus to share the essential human expression of movement with each other. Let the dancing begin!

 

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